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by Tony Lee editor of Pigasus Press

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The Arrival
103 minutes (18) 1990 Braveworld
review by Michael Hamilton

Seventy-something Max is unwittingly exposed to something alien when he gets too close to a fallen meteorite. Hut this isn't The Blob, it's more akin to a virus which causes the old guy to collapse and (apparently) die. But, wouldn't you know it, he's not really dead (even though they tried to bury him), and soon enough he's up and about again, all twitchy and aroused at the sight or smell of blood, and actually getting younger too. It's only a matter of time before this alien poseessed vampire, bites, and when he does it's a killing spree to rival the most proficient American psycho - cutting a swathe of slashed throats across six US states. Max regains his youth (becoming surly biker, Joseph Culp) and develops super-human strength and invulnerability. He's pursued by the obligatory FBI agent (stalwart John Saxon) who has to overcome his skepticism about vampires in the face of overwhelming evidence that director David (Puppet Master) Schmoeller really has put a new spin on that fifties classic, I Married A Monster From Outer Space. The love interest for Max is a nurse who tended him in hospital before his 'death' that, he finds, he can not brlng himself to kill. The ending is borrowed (fittingly) from Nosferatu.

Michael Hamilton
originally published in Strange Adventures #38 (April 1992)

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