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  New Century of Cinema


DOWSE Guide to the Movies
by Tony Lee editor of Pigasus Press

The Hairdresser's Husband

Director: Patrice Leconte
79 minutes (15) widescreen 2.35:1 Tartan DVD
review by Donald Morefield

Jean Rochefort stars as introverted Antoine, who finds a soul mate of sorts in hairdresser Mathilde (Anna Galiena). She washes, cuts and trims men's hair, and he watches, smilingly, sometimes groping her when the barber's shop customers aren't looking. She shaves off an unwitting visitor's beard (with a straight razor, of course) on their wedding day, while still wearing her bridal dress. Rochefort's attempts to dance to Arabic music are the only time Antione's character honestly comes alive but the results, unfortunately, are just too ridiculous.
   The sensuality of hair, and the accoutrements of the hairdressing profession, is lingered upon with fetishistic delight. This unlikely couple's nigh claustrophobic romance denies the existence of an outside world to the point of hermetically sealed boyhood fantasy. Theirs is a languid passion, evidenced with glowingly precise photography that nothing is allowed to disturb. Having the only other domestic relationship in the story break up unsubtly reinforces the unquestioning validity of Antoine and Mathilde's cherished love. And so, the weirdo hermit's wife lives forever in suffocating denial of pleasure or life, outside the salon, while the marriage descends into hedonistic wallow. Obsession and sadness permeate the narrative in a familiar, and irritatingly Gallic, way some may find inexcusably boring. I won't give away the spitefully abrupt ending - but suffice to say, that what opens with a sense of energetic abandon eventually succumbs to a merely companionable silence.
   DVD extras: scene selection in a dozen chapters, filmographies of director and stars, director's notes, picture gallery, and a review (uncredited). The packaging indicates a 4:3 full-screen presentation but the film is actually in widescreen, and French language with English subtitles.

Donald Morefield
originally published online in VideoVista #20, November 2000 issue

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