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  New Century of Cinema


DOWSE Guide to the Movies
by Tony Lee editor of Pigasus Press

Lovers Of The Arctic Circle

Director: Julio Medem
104 minutes (15) widescreen 2.35:1 Tartan
review by Gary Couzens

Julio Medem is a Spanish (Basque) film director, whose second film, the intriguing psychological thriller The Red Squirrel was one of the late Stanley Kubrick's favourite recent films - he even bought his own 35mm print. Tierra was a striking if rather obscure fable. The talent was there, and it really delivers with The Lovers Of The Arctic Circle.
  Ana and Otto first meet at the age of twelve. Her father is dead and his parents are separated; for a while his father (Nancho Novo, the lead of The Red Squirrel) and her mother live together and Ana and Otto are brought up almost as brother and sister, but their love for each other goes deeper than that. Fate and tragedy throw obstacles in their path until Ana (Najwa Nimri as an adult) and Otto's (Fele Martinez) story is resolved in Finland, just inside the Arctic Circle.
  Medem's film is constructed as series of parallels and doubles: some characters significantly share the same name, and there's much play on the palindromic nature of the lead character's names. The construction is intricate, using flashbacks and flash-forwards, and narration from both Otto and Ana's point of view, in a way that is more difficult to describe than it is to watch. Some attention needs to be paid, as certain incidents and scenes don't fall into place until later on. Even so, though Medem conjures up imagery that has an impact, even if the meaning isn't immediately apparent. There are several twists of fate that would seem like outrageous coincidence were they not conveyed with such conviction, and a Sliding Doors-like double ending. This is not for the over-cynical viewer, I dare say, but it's surprising, inventive and genuinely romantic and ultimately hard to resist.
  The Lovers Of The Arctic Circle is in Spanish with some English dialogue. The DVD is anamorphically enhanced, though on a 4:3 set this makes the subtitles a little small, and they are sometimes hard to read against white backgrounds. The sound is Dolby Surround, and the extras include the trailer, filmographies, a stills gallery, an essay on the film and an interview with the director (both in text).

Gary Couzens
originally published online in VideoVista #19, October 2000 issue

Buy this title from Blackstar

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