Payback
Director: Brian Helgeland
97 minutes (18) Warner £14.99
review by Jeff Young
Mel Gibson is on good form here as a too-stubborn-to-die robber, betrayed by his
partner in crime (Gregg Henry), shot by his wife (Deborah Kara Unger), and left for
dead. The story is narrated in part by Gibson and these voice-over comments are
unnecessary, but not especially intrusive and fit in with the gangster milieu. Gibson's
ex-Marine tough guy only wants the mere $70 grand that his betrayer gave to the mafia
and he endures frequent beatings and torture (bits of this have obviously been cut) to
get it. There's some good humour in the fact that our hero refuses, on principle,
offers of double the above figure, and there's humour in a much darker vein too as the
violence escalates from shooting to bombings.
Gibson's audacious plot against the Mob (led by William Devane, James
Coburn and Kris Kristofferson), is impractical and nearly suicidal but he cleverly
disposes of all opposition - including a pair of crooked cops and a heavily armed Asian
gang. Debutant director Brian Helgeland wrote the screenplay for the excellent LA
Confidential and it shows. Although a little predictable, this film is quite
similar in tone, albeit set in contemporary Chicago rather than period California.
Maria Bello and especially Lucy Liu, as a dominatrix, furnish the
glamour. The palette of muted colours employed for Ericson Core's admirable
cinematography provides the film's style. And if all of this sounds reminiscent of John
Boorman's Point Blank (1967) it's because both films are based on a novel by
Donald E. Westlake. Payback is an entertaining modern film noir but it clearly
lacks the skill and emotional resonance that Lee Marvin invested in the sixties classic.
Jeff Young
originally published in VideoVista #15 (June 2000)
DOWSE
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